|
Administrative Office

 |
|
TREVOR CARLSON, Executive Director, is a graduate of The Juilliard School in New York City where he received a BFA in Dance. He has performed with the Stanley Love Performance Group and was co-founder of the organization. Throughout his extensive career as an arts administrator, he has served as Fiscal Associate for Pentacle/DanceWorks, Managing Director of the Stephen Petronio Company, Tour Manager for P.S. 122 Field Trips, Company Manager at The Joyce Theater, and Company Manager, Director of Communications, and General Manager of MCDC. He assumed the position of Executive Director of the Cunningham Dance Foundation in 2005. During his tenure at MCDC, he has helped to increase the number of visual artist collaborations by developing the possibility for Merce to create Events in repertory theater houses using different décors each evening. A total of 25 additional collaborations have been staged in this manner. He also helped stimulate the vision for MCDC’s 2003 collaboration with the bands Radiohead and Sigur Rós and artists Robert Heishman and Catherine Yass. Most recently, in continuation of this collaborative philosophy, Trevor has helped to expand the role of MCDC as a community-wide residency partner. These partnerships provide historical context, as well as stimulus for new local collaboration and creation across multiple artistic fields. The Company has experienced great success with this formula at several residencies, including the Melbourne International Arts Festival in 2007. Also during his tenure, Trevor helped initiate the groundbreaking Monday’s With Merce program, to capture Merce’s Monday company class and other aspects of studio life for the Company. The program gives dancers around the world the opportunity to take class from Merce himself. Trevor has given lectures at numerous institutions including the College of St. Benedict, Johnson County Community College, The Juilliard School, Stanford University, the University of Florida at Gainesville, University of Illinois, University of Maryland, University of Michigan, and in various locations throughout Brazil, the United Kingdom, and Norway. He has also served as a panelist for the Jerome Foundation. In 2001 Trevor performed in John Cage’s theater piece, James Joyce, Marcel Duchamp, Erik Satie: An Alphabet.
212.255.8240 x17
|
 |
|
LYNN WICHERN, Chief Financial Officer, joined the Merce Cunningham Dance Company in October of 2005. She was the Fiscal Administrator for the Mark Morris Dance Group from 1996-2005. Prior to that she was the Fiscal Director for the Foundation for Independent Artists, a ten member corporate conduit for unincorporated artists, administered by Pentacle, (Danceworks, Inc.). In that capacity she was the financial manager for Bebe Miller, Doug Varone, Urban Bush Women, and Eiko and Komo, to name a few. She is a graduate of the University of Iowa with a BA and MA in dance, and holds a MFA from Case Western Reserve University in dance and theatre. Before coming to NYC she was a professor of dance at the University of Virginia, Illinois Wesleyan University and Drake University. She choreographed and performed as part of EMR dance company and Wichern/Wolfson dance & music in the 90s.
212.255.8240 x15
|
 |
|
LAYTON HOWER, Bookkeeper, graduated in 2003 from Davidson College with a BA in Studio Art and shortly thereafter moved to the New Mexican desert to paint canvasses and eat chiles. In 2006, following a number of solo and group exhibitions in Albuquerque, Layton moved to Brooklyn with his wife, Michele. Layton continues his painting career in New York City and is thrilled to work with the fine office staff of the Cunningham Dance Foundation.
212.255.8240 x19
|
 |
|
ABI SEBALY, Director of Special Projects, Abigail Sebaly graduated from the University of Michigan with a BFA in Dance and a BA in English. She first came to the Merce Cunningham Dance Company as Contracts and Touring Intern, then stayed on to conduct archival research through a grant from the Andrew W. Mellon Foundation. Before returning in 2005, she worked for Dia Art Foundation. She also enjoys dancing and participating in independent choreography projects.
212.255.8240 x11
|
 |
|
KEITH BUTLER, Director of Development, has held positions within the development departments of such signature national performing arts organizations as Big Apple Performing Arts, Dance Theatre Workshop, the Brooklyn Philharmonic, Manhattan Theatre Club, and Lincoln Center for the Performing Arts, Inc. He serves as the Fundraising Specialist for Dance Theatre Workshop’s Laboratory in Arts Management, and has also lead seminars for emerging artists on topics including: grant writing and donor identification, event planning, and fiscal management. Further, Mr. Butler serves as a pro-bono fundraising consultant with and singing member of the New York City Gay Men’s Chorus. He has worked with and advised numerous contemporary dance artists including Jeremy Wade, Trajal Harrel, Andrea Haenggi, and Jodi Melnick. Mr. Butler holds a Bachelor of Music degree in Voice Performance (cum laude) from Boston University and a Master of Arts degree in Performing Arts Administration from New York University.
212.255.8240 x18
|
|
|
|
 |
|
JORGE FIFFE, Director of Individual Giving and Special Events, joined MCDC in January 2008. In addition to working at MCDC, he serves as the Executive Director of Collaborative Arts, whose mission is to create performance and exhibition opportunities for emerging artist in New Brunswick, New Jersey. Prior to this, he worked for non-profit organizations such as Performance Space 122 (New York) and Advancement Project (Los Angeles). His strengths and interests in his professional work lie heavily at the intersection of development, marketing, and Internet technologies. Further, he is largely inspired by the complexity and possibilities inhabited by the human experience, and interpersonal relationships are a common theme in his artistic works as a performance artist. Jorge has exhibited live art, photography, and video throughout the U.S. and was awarded an MFA in visual arts from Rutgers University and a BA in studio art from the University of California, Riverside.
212.255.8240 x13
|
| |
|
|
 |
|
SARAH ENELOW, Marketing Associate
and native Texan, came to MCDC in summer 2007 after having studied and worked extensively in classical music. Sarah plays the violin, is an avid cook, and considers herself a hot chocolate connoisseur. She has degrees from Vassar and Indiana University, and studied in Spain and Russia before settling in Brooklyn.
212.255.8240 x14
|

|
|
KEVIN TAYLOR, Office Mgr. / Asst. to the Exec. Director, graduated from Texas Christian University with a BFA in ballet and modern dance. In addition to his work with MCDC, Kevin dances with the VonHowardProject, an up-and-coming modern troupe based out of NY/NJ.
212.255.8240 x10
|
Production

 |
|
JOSH JOHNSON, Director of Production, is a technical artist who uses all the tools of our time to support the emotional expression of theatre artists. In his time, Josh has designed lighting or sound for eighteen world premiers, worked with such notables as Meredith Monk and the Flying Karamazov Brothers, and hitchhiked from Montreal to Seattle. Spending ten years in Seattle, he worked hundreds of shows at On the Boards, A Contemporary Theatre (ACT), Seattle Rep, Seattle Opera, and the Group Theatre. Since moving to New York in 2000, Josh has toured to 31 states and 16 countries with Michael Moschen, David Dorfman, 33 Fainting Spells, Bebe Miller, and numerous other music, dance, and theatre companies. Now entering his
eighth year with MCDC, Josh is proud to continue working with Merce.
212.255.8240 x22
|
 |
|
CHRISTINE SHALLENBERG, Lighting Director, is a resident of Brooklyn and a graduate of Illinois Wesleyan University with a degree in Theater Arts and Dance. Her primary focus is creating contemporary dance and performance, as well as lighting design for the New York Dance Community. In New York City, Shallenberg has collaborated with choreographers Nicholas Leichter, Clare Byrne, Laura Pawel, Beth Soll, and Michael Helland. She has had the pleasure of working as a Technical Director at Danspace Project, as well as touring Lighting Director for Hell’s Kitchen Dance with Mikhail Barishnikov.
212.255.8240 x20
|
 |
|
STEPHAN MOORE, Sound Engineer and Music Coordinator, is a composer, audio artist, and sound designer in New York City. He performs regularly as half of the electronic duo Evidence, and with a variety of musicians, live-video artists, and dancers. He has created custom music software for a number of composers and artists, and has taught courses in sound art and electronic music at Maryland Institute College of Art, Peabody Conservatory, Massachusetts College of Art, Rensselaer Polytechnic Institute, and Simon's Rock College of Bard.
212.255.8240 x21
|
 |
|
ANNA FINKE, Wardrobe Supervisor, grew up on a strawberry farm in northern Minnesota and attended SUNY Purchase where she received a BFA in dance. She met Merce during an internship at Jacob's Pillow and began working with the company in 2004. She has also toured with Mikhail Baryshnikov and freelances with various artists in the area.
212.255.8240 x28
|
|
|
Tour Management

 |
|
JEFF DONALDSON-FORBES, Company Manager, is an avid dance and music lover. He is a playwright, performer, and director and has produced theater in New York City; Provincetown, MA; and Bozeman, Montana.
Jeff is a past President of both The Provincetown Theater Company and Back Street Arts (NY), and a former Event Director of the magazines Field & Stream and Outdoor Life.
212.255.8240 x12
To book the company contact: benedictepesle@noos.fr for Europe
david@dlartists.com for the Americas & Asia |
Archives

 |
|
DAVID VAUGHAN, Archivist, has danced, sung, acted, and choreographed in London, Paris, on and off Broadway, in American regional theaters, in film, television, ballet and modern dance companies, and cabaret. He is the author of Merce Cunningham: Fifty Years (Aperture, 1997) and of Frederick Ashton and his Ballets (revised edition, Dance Books, 1999). At the Dancing in the Millennium Conference in Washington DC in July 2000, he received the 2000 CORD (Congress on Research in Dance) Award for Outstanding Leadership in Dance Research, and in September 2001 he received a New York Dance and Performance Award (“Bessie”) for sustained achievement.
212.255.8240 x29
|
 |
|
ANA ISABEL KEILSON, Film and Video Archival Assistant, graduated in 2005 from Barnard College with honors in English and Russian. Since graduation, she has performed with companies including the Bill T. Jones/Arnie Zane Dance Company, David Dorfman Dance, PEARSONWIDRIG DANCETHEATER, and currently Jennifer Nugent and Paul Matteson. Her own work has been shown at the Movement Research Festival, Judson Church (in collaboration with Elena Demyanenko), the Chocolate Factory, and Dixon Place. In addition, she is the organizer/founder of the zine, a not-for-profit publication creating new spaces in print media for the presentation, exploration, and promotion of work by the NYC-based performance community.
212.255.8240 x26
|
Studio Management

 |
|
MARY LISA BURNS, Director of Education, has taught at the Merce Cunningham Studio since 1988. She has also taught at Barnard College since 1996, and has been a guest teacher at the Mason Gross School of the Arts at Rutgers University, at Wesleyan College, the University of Texas at Austin and as part of the Isle de Danse Festival in Colombe, France. Her work has been presented at the Merce Cunningham Studio, Columbia University’s Miller Theater, Barnard College’s Minor Latham Playhouse, at Union College (Schenectady, NY), and the Cambridge Art Association (Cambridge, MA). A member of Kenneth King & Dancers for five years, Ms. Burns also performed in the companies and works of Brenda Daniels, Robert Kovich, Gina Gibney, Mitch Kirsch/Dogs in Space, Christopher Beck, the Reeves/Jones Performing Group and in the Tony Kushner/Ann Sullivan work, La Fin de la Baleine. She holds a B.A. from Barnard College, an M.F.A. from NYU’s Tisch School of the Arts, a Certificate from the Merce Cunningham Studio, and a Certificate from the Dance Education Lab at the 92nd Street Y's Harkness Center. In addition, she has studied Anatomy/Kinesiology with Irene Dowd and Alexander Technique and Pilates with Clarice Marshall.
212.255.8240 x32
|
 |
|
CHRISTOPHER YOUNG, Studio Technical Director, is a native New Yorker, born and raised in Brooklyn. He graduated from the University at Buffalo with a BFA in Theater where he found his love for the arts. He owes credit to the many companies he’s worked for that have brought him to this point in his career, especially Shakespeare in Delaware Park for their inspirational and magical summers, and The Alvin Ailey American Dance Theater for their support. He’s excited about helping to unlock the beautiful potential that the Merce Cunningham Studio holds.
212.255.8240 x24
|
 |
|
NANCY BRIGHT, Financial Aid Administrator, has been a part of the Merce Cunningham Studio family since 1996. Her 50 year career has involved working with State and City government agencies and the not-for-profit sector. Her focus has been devoted to administering programs that provide financial assistance to eligible applicants.
212.255.8240 x33
NLBRET55@aol.com |
 |
|
ALICE HELPERN, International Program Coordinator, formerly Director of the Merce Cunningham Studio, also served as Financial Aid consultant for the Joffrey Ballet School , and taught dance history for students in the Joffrey/New School BFA Program and at Lang College, New School (BA Program).. Previously she taught dance at Hunter High School, Vassar College, New York University, and the Martha Graham School. Trained professionally in ballet and modern dance, she holds a Ph.D. in dance from New York University. Her monograph, The Technique of Martha Graham, was published by the Morgan Press in 1994. She edited an issue devoted to Martha Graham for the Harwood publication, Choreography and Dance, (1999). She also writes criticism for Ballet Review, and has served as a site visit consultant for the Dance Panel of the National Endowment for the Arts. She served as President and is now Treasurer of the Emergency Fund for Student Dancers. She serves on the Commission for Accreditation of the National Association of Schools of Dance and was Secretary and board member of the Society of Dance History Scholars and Vice-President of the American Dance Guild.
212.255.8240 x31
|
 |
|
ROBERT SWINSTON, Assistant to the Choregrapher, has been a member of Merce Cunningham Dance Company since 1980. He attended Middlebury College and the Juilliard School, where he received a BFA in dance. He has also performed with the Martha Graham Apprentice Company, Jose Limon Dance Company, and Kazuko Hirabayashi Dance Theatre. He has taught at Montclair State College, SUNY-Purchase and the Juilliard School. He joined the faculty of the Merce Cunningham Studio in 1987. Mr. Swinston has assisted in the staging of Cunningham works for Boston Ballet and White Oak Dance Project.
212.255.8240 x16
|
 |
|
CAROL TEITELBAUM, Faculty Chair since 1998, joined the faculty in 1985 and was a member of the Merce Cunningham Dance Company from 1986-1993. In addition to teaching technique classes at the Studio, she conducts the Summer Intensive Workshops (introducing new students to Cunningham technique from the ground up and teaching a selection from the repertory). Ms. Teitelbaum has collaborated with Carolyn Brown on several revivals of Mr. Cunningham's early works and staged dances at State University of New York at Purchase, Barnard College, Ballet de Lorraine, the Cunningham Repertory Understudy Group and the Merce Cunningham Dance Company. She has taught master classes and held guest teaching positions at many institutions, including La Guardia High School of the Performing Arts and the Ailey/Fordham BFA Program. Ms. Teitelbaum holds an M.F.A. in Dance from the University of Michigan. She danced in the Lucinda Childs Dance Company and the Manuel Alum Dance Company. |
|
|