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A REVIVAL WITH IRISH ROOTS, TWO FATHERS AND MULTIPLE LAYERS OF MEANING

Los Angeles, CA (June 7, 2010) By Alastair Macaulay, The New York Times

COMMUNING WITH A MASTER CHOREOGRAPHER IN A LONG FAREWELL

Montreal, Canada (May 31, 2010) By Alastair Macaulay, The New York Times

MERCE CUNNINGHAM'S 'ROARATORIO'

Los Angeles, CA (May 30, 2010) By Mark Swed, The Los Angeles Times

DANCE REVIEW: 'NEARLY 90^2' BRIMS WITH YOUTH

San Francisco, CA (March 29, 2010) By Allan Ulrich, The San Francisco Chronicle

TROUPE MASTERS LEGEND'S MOVEMENTS

Columbus, OH (February 13, 2010) By Barbara Zuck, The Columbus Dispatch

A LONG FAREWELL TO MERCE CUNNINGHAM

New York, NY (January 26, 2010) By Daniel J. Wakin, The New York Times

CAN MODERN DANCE BE PRESERVED?

New York, NY (November 5, 2009) By Arthur Lubow, The New York Times Magazine

A MASTER'S MAGIC, IRRETRIEVABLE YET RECREATED

New York, NY (October 29, 2009) By Alastair Macaulay, The New York Times

MERCE CUNNINGHAM, VISIONARY CHOREOGRAPHER, DIES AT 90

New York, NY (July 27, 2009) By Alastair Macaulay, The New York Times

MERCE CUNNINGHAM SETS PLAN FOR HIS DANCE LEGACY

New York, NY (June 9, 2009) By Daniel J. Wakin, The New York Times

‘THIS PROBABLY ISN’T POSSIBLE, BUT…’
New York, NY (April 12, 2009) By Alastair Macaulay, The New York Times

BEING ALONE TOGETHER IN CUNNINGHAM'S WORLD

Beacon, NY (Dec 9, 2008) By Alastair Macaulay, The New York Times

MERCE CUNNINGHAM AT THE BARBICAN

London, UK (Oct 2, 2008) By Debra Craine, The Times

MERCE CUNNINGHAM DANCE CO, BARBICAN THEATRE, LONDON

London, UK (Oct 2, 2008) By Zoë Anderson, The Independent

MULTIDIMENSIONAL MOVEMENTS ECHO THE DEPTHS AND HORIZONS OF THE SEA

Waite Park, MN (Sept 15, 2008) By Alastair Macaulay, The New York Times

MERCE GOES DEEPER

Waite Park, MN (Sept 13, 2008) By Mark Swed, Los Angeles Times

WALKING TO AND FRO TO EYE DANCE, SKY AND SCULPTURE

Beacon, NY (July 8, 2008) By Alastair Macaulay, The New York Times

ALOFT AND CLOSE TO NATURE, FINE-FEATHERED BIRDS IN CONSTANT FLUX

Beacon, NY (May 20, 2008) By Claudia La Rocco, The New York Times